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A forestry student in college (“I could never carry enough books in my packsack,” he once wrote), he had a brief and unhappy stint in the advertising business before returning to school to study literature. The course was founded in 1949 by Lloyd Reynolds, an English professor who grew up in a struggling eastern Washington farming community. Reedies tend to be exhaustingly self-aware.) But the Reed calligraphy class was a serious and fiercely beloved enterprise, if never as traditionally academic as the college’s powers-that-be would have liked. It was beautiful, historical, artistically subtle in a way that science can’t capture, and I found it fascinating.Ĭalligraphy? It might sound like a joke about liberal-arts education, like underwater basket weaving (which, during my time at Reed, was occasionally offered as a no-credit class during winter break. I learned about serif and sans serif typefaces, about varying the amount of space between different letter combinations, about what makes great typography great.
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Because I had dropped out and didn’t have to take normal classes, I decided to take a calligraphy class to learn how to do this. Throughout the campus every poster, every label on every drawer, was beautifully hand calligraphed. Reed College at that time offered perhaps the best calligraphy instruction in the country. And he started sneaking back into Reed’s classrooms, sitting in on the courses he thought looked interesting.
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He stuck around Portland, sleeping on friends’ floors, returning bottles for deposit nickels, and walking across town once a week for a free meal at the Hare Krishna temple. And here I was spending all of the money my parents had saved their entire life.” “I had no idea what I wanted to do with my life and no idea how college was going to help me figure it out. He enrolled at Reed, but quickly dropped out: “After six months, I couldn’t see the value in it,” he said. In 2005, during a commencement address at Stanford, Steve Jobs remembered his brief college career. (Incidentally, if my life were filled with uglier typography, I might have a better memory, as our own Virginia Hughes reported last year.) Little did I know that these archetypal fonts were born, in a sense, in a jam-packed classroom not far from where I sat. In the windowless Reed computer labs, they became a familiar but rarely noticed part of my daily life, as they have been ever since. Even if you’ve never owned an Apple product. The DNA is perhaps expressed most strongly in a few enduring fonts: New York, Monaco, Chicago … you know them, even if you don’t know their names.
If anyone ever left it behind in a bar, it was on purpose.īut were my MacBook transported back to the grungy early 90s, I imagine, it would immediately recognize the Classic as its ancestor. Squat, sturdy, and pallid, with a postcard-sized monochrome screen, the Classic was three times as heavy as the aluminum-bound MacBook I write on today - with a mere 1/2000 of the memory, poor thing.
#What can i use in place of apple chancery font mac
Uring my first year at Reed College in Portland, Oregon, I wrote a lot of term papers and played a lot of Tetris on Mac Classics.
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